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He Looks like a Dom and Quacks
like a Dom , but is he really a Dom?
Thoughts on the difference between appearing to be
in control, and actually being in control
By Sensuous Sadie
SensuousSadie@aol.com
www.sensuoussadie.com
"In the vanilla world there is a very active game
of dominance and submission, one that is largely unspoken and
unacknowledged, but in some ways more grounded in reality. Vanilla
'dominants' are dominant by virtue of both the circumstances of their
lives as well as by their basic natures. They don't 'act' dominant, they
simply are dominant. On the other hand, BDSM Dominants are bound by
a loose set of traditions and customs that have little to do with
whether they are really in control, but rather with whether they appear
to be in control."
~ Jonathan
One of the reasons I love visiting my friend Dylan is because while I'm at
his house, I am enclosed in his circle. Although he isn't involved in
BDSM, he's what we might call a "Vanilla Dominant," in that he
creates an environment where I am free to submit. I get to enjoy the
comfort and security of the control he provides without ever feeling as
though my own independence was compromised. In Dylan's world, consent is
not overt, but rather implied, although by being there, I am in a sense
giving consent. This is a different scenario than the checklist-exchanging
consent of the BDSM scene.
What is Control then?
Dylan's control over his environment, and of me is a very particular kind
of control. My awareness of his gift comes out of my feelings about love;
that to be able to love, we must love ourselves first. Similarly, to
control another person, we must be able to control our own lives. This
does not mean never having fun or being spontaneous, but rather that each
of us creates our lives and takes responsibility for what we have created.
If wish to be a Dominant, I need to be able to demonstrate that my life is
what I have chosen, rather than a bit of flotsam and jetsam tossed about
in the storm.
Dominants in the BDSM Scene
Our community puts forth a model of what a Dominant is, and provides
lots of instructions about how to speak, act, dress and conduct a scene
(also known as quacking like a Dominant). The good part about this is that
these models offer a way for community members to interact with a clear
line of communication. The downside is that if a new Dominant doesn't have
a grounded sense of self, these trappings create an artificial construct,
a persona which unfortunately can fool novices and even experienced
players. My friend Stacey says that "For people who are truly Dominant, they
use whatever protocol, clothes, etc that they want. That's what it means
to be the Dominant, they get to do things the way they want. The community
does have a structure, but when it's used by people who aren't
intrinsically dominant, it just looks silly." One example of this
silliness is a local Dominant named Colby who dresses to the nines, is
highly articulate, and has a collection of expensive accoutrements in his
basement dungeon. In this very dungeon, I watched as an experienced player
developed a crush on him, or at least the him that she could see on the
surface. Unfortunately, what Colby doesn't have is emotional, financial,
or personal stability, the things that in my opinion establish a
foundation for someone to control another person. My friend Julia might be
thinking of Colby when she says, "Most of the dominance I've observed
in the BDSM worlds looks like a cartoon to me."
You could say that Colby is "acting" like he is in control,
while my vanilla friend Dylan is simply "being" in control. Of
course not all Dominants in the BDSM scene are like Colby, and many of
them are indeed stable on all fronts. What I want to look at here is how
Vanilla Dominants do what they do, and how to identify Dominants in the
BDSM scene who are also simply "being" dominant.
Vanilla Dominants
One distinction between the dominance you see between the scene and
the vanilla world is the role of sexuality. Stacey
describes it this way, "Dominance is something inherent in a person
and it doesn't matter whether they define themselves as a scene Dominant
or not. A vanilla dominant is simply a strong dominant person who revels
in that dominance, but doesn't necessarily use floggers, bondage or any of
the other accoutrements. They just don't identify with the 'rackem and
whackem' scene." Julia adds that, "In the BDSM world, sex is the
sine qua non (the prerequisite) of dominance and submission. In the
vanilla world, sex is just one part of a much more complex set of
relationships." The key messages here are that dominance, sexuality,
and BDSM can be combined in a number of ways irregardless of the labels we
in the scene often use.
When I look at Dylan's life, I observe that he is stable on a number of
fundamental levels: career, financial, family, and personal. While Dylan
has changed jobs a few times, he has consistently moved up in his career.
He may not be rich, but he lives within his means and can afford the
things he cares about. He has a number of long term friends, and is active
in his community. Julia adds that, "Vanilla Dominants don't take
pride in the fact that they own eleven different floggers and they are
skilled at wax play. They take pride in how much money they raised for
their church or how they coached their daughter for the debating
team."
In contrast, when I'm at Colby's house, I'm expected to scrape up my own
lunch, which likely as not will require me to wash the dishes piled up in
the sink. While waiting for him to finish e-mailing his friends I might
enjoy checking out his collection of single tails, but then I also know
that he makes excuses for not having enough money to visit his kids. Here
at home with his armor set aside, Colby is in control of nothing. He's
simply a guy looking for another temp job, eating peanut butter sandwiches
just before payday, and finding a new gal pal submissive who won't see
through the masquerade for a few months. Julia is hard on guys like this,
but there may be a kernel of truth in what she asks, "Do you know a
single BDSM dominant who donates his dominance to anything of social value
outside of the scene? People who are into the lifestyle are often
selfishly focused on their own sexual pleasure, and little else." If
Colby really was a Dominant, his gifts would not only provide him with
better than a rundown lifestyle, but he'd be contributing something to the
larger world.
How do we know which is which?
Colby of course is just one person in the BDSM scene, and there are
certainly plenty of Dominants who have more balanced lives. The challenge
then is to identify Dominants who are actually in control, not just
acting. My approach is to ignore the visual and sexual trappings, what the
person says, wears, and acts – even whether or not they have a
submissive. Instead, I look at how they are managing their lives. Are they
passionate about their work? Are they responsible parents? Have they been
able to sustain a long-term relationship? Are they living in a comfortable
home? Are they emotionally stable?
Is he or she in Control, or Controlling?
Being "in control" is a bit of a loaded term, so let's look
at some related issues. One is the distinction is between being "in
control" and being "controlling." Being in control is about
being certain and sure-footed about who you are and what you are doing.
When you are dominant with those around you, you are allowing others the
benefit of this control. Being controlling is about being insecure and
demanding that others assure you that you are okay. It is the antithesis
of,
and yet is often mistaken for real dominance. The control of a Dominant is
also different than the control we talk about in relation to twelve step
programs. There, we seek to turn over control of our lives to a higher
power, a quest which I work on every day. However, this doesn't mean that
we're sitting back and expecting God to do all the work. God has the big
picture in hand, but it is still up to me to roast up the shish kabobs and
scrub the grill.
Can we judge Submissives by the same Yardstick?
Another interesting side issue is whether we can apply these same
ideas to submissives. Does their ability to control their own lives relate
directly to their ability to actually submit, versus only appearing to
submit? Submissives are rarely measured by their ability to control their
own lives, but a submissive whose career, financial life, and social
network are in shambles is clearly not someone who is prepared to engage
in any exchange of power. Giving someone control of a messed up existence
is not a gift, but a burden. Stacey agrees with me, saying, "Many
submissives are strong individuals and their submission is to a strong
partner, not to the world at large. There has to be a tension (in a good
sense) between two people who are equal in strength and completeness, a
push and pull between worthy opponents. What thrill is there for a
Dominant in having someone weak surrender their teeny bit of
weakness?"
What I find really fascinating about Vanilla Dominants is that they model
a substantive approach to control. It's not that we in the community don't
have this already, but that it can get obscured in the bells and whistles
of BDSM. We may think we have it all figured out, but in some ways this
organic approach to dominance has a step up on the gee gaws and costumes
of the scene. Dylan's way of dominating me may not have the explicit
consent step I'm used to, but I'm pretty sure that if he ever wants to
move that dominance into the bedroom, I'll be the first in line.
~~~~~~~~~~~~~~~~~~~~~
Sensuous
Sadie is the author of It's Not
About the Whip: Love, Sex, and Spirituality in the BDSM Scene (http://www.trafford.com/robots/03-0551.html).
She is the founder and leader (1999 - 2001) of
Rose
&
Thorn
,
Vermont
's first BDSM group.
Comments, compliments and complaints, as well as requests for reprinting
can be addressed to her at SensuousSadie@aol.com
or visit her website at www.sensuoussadie.com. Sadie believes the universe is abundant, and that sharing information
freely is part of this abundance, so she allows reprints of her writing
in most venues.
Copyright
March 2004 Sadie Sez Publications

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