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Excerpt
on BDSM & Spirituality from
Geoff Mains’ recently reissued:
Urban Aboriginals: A Celebration of Leathersexuality

Urban Aboriginals can be found at www.amazon.com
Like words and acts of shamans, the spiritual utterances of leathermen
can take on special importance to the fellow members of their tribe.
These are men who have put their lives on the line, who have really been
there. For any tribe that has been either actively oppressed or is in a
marginal social position these words and acts help in building cultural
security.
There is something holy in the leather scene- something about which
writers such as Kantrowitz, unafraid of the implications of radical
sexuality, are emphatic. In a locale such as the Catacombs, there is a
friendly caring aura that extends between people, a sort of sharing in
the fortune that comes from being blessed. "the needs of the
tribe," writes Ludwig, "are met through identification with
the entranced person, who not only derives great personal satisfaction
from divine possession, but also acts out certain ritualized group
conflicts such as the theme of death and resurrection."
The man in the sling at the Catacombs is a symbol to his brothers.
Most of them have been there and all would like to go there. In the raw,
powerful beauty of his being fisted, of living that process that only a
woman can know as birth, is a fire and joy that binds men together.
In each other's hands and each other's trust, the leathermen enact the
very themes of life.
Read the SCENEprofiles Interview with BDSM legend Mark
Thompson, on Geoff Mains’ Urban Aboriginals
Read Sadie's Article/Review on Urban
Aboriginals
~~~~~
Copyright 2003
This article is reprinted here with the explicit
permission of the author. If you would like to share it with others,
please link directly to this page or contact the author for permission.
It is a violation of copyright law to distribute or reprint this piece
without that permission, however you may include a short quote from it,
not more than 20% of the total text. Please respect the integrity of
this work.

Book photograph by Robert Pruzan, reprinted with
permission
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