Thank
You to the Artists & Photographers
who contribute to this website:
|

Dan Dofogh
for the fab Sadie Sez cartoons
See all the Sadie Sez cartoons
|
Chris
M., Author & Writer
*The drawing above is not technically a
BDSM emblem,
but my artistic vision of it.
I designed the snake mind/body/spirit logo,
and Chris M. rendered it for me. |
|
David Southwick of
Poetic Photography, Vermont
PO Box 903, Enosburg Falls, VT 05450, 802-933-4530
poeticphoto@earthlink.net
See all the photos in this series |
Magnum, Vermont Fetish Photographer
See all the photos in this series |
Versive, Vermont Fetish Photographer
See all the photos in this series |
|
Travis, who drew this beautiful Celtic rose |
Photo montage designed by Niagra,
Editor of the Bottom
Line, an online BDSM Magazine
|
| Other
Acknowledgements |
|
Thank You
to the Erotic Power Exchange for hosting this
site!
|
Thank
you
To
Bravenet.com
For many of the cool programming things on my
website. It's a great site for beginning web programmers.
Also to: Dynamic
Drive for some of the other great scripts:

|
BDSM Emblem
The BDSM Emblem is copyright 1995 by Quagmyr@aol.com
who maintains the copyright in order to protect the symbol. It is
freely available for all educational and non-commercial use within
the BDSM community without charge. For more information on the
technical specifications of the copyrighted BDSM Logo please
visit:
http://members.aol.com/quagmyr/is.htm *The
drawing above is not technically a BDSM emblem, but my artistic
vision of it. I designed the snake mind/body/spirit logo, and
Chris M. rendered it for me |
|
Copyright
Policy:
This
website follows standard copyrighting practice regarding all
articles and poetry which are reprinted with explicit permission
of the authors. ‘Fair use’ guidelines are followed regarding
quotes. The Fair Use use doctrine of the U.S. copyright statute
states it is permissible to use limited portions of a work
including quotes, for purposes such as commentary, criticism, news
reporting, and scholarly reports and that “In determining
whether the use made of a work in any particular case is a fair
use the factors to be considered shall include... the amount and
substantiality of the portion used in relation to the copyrighted
work as a whole.” This is normally interpreted in legal cases to
include 20% or less of a complete work.
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